I'm Oscar. The camera thing started in high school — not by plan, but because I couldn't stop.

Editing, sound, color, composition: built first through obsession, then through study. Film school gave me language for what I was already doing — and once you understand why a frame works, you can't unsee the ones that don't.

I care about the logic of an image and its weight. I work best when I've thought through every movement in advance — and when I can respond in the moment to what no preparation could predict.

The longer I've spent on set, the more I've come to believe that the hardest part isn't the equipment. It's trust. The frames worth keeping are almost always earned through conversation, not just craft.

I've been telling stories through images for seven years. No signs of stopping.